aulaeum

aulaeum, i, n., = αὐλαία (Plut.), a splendidly wrought or embroidered stuff, tapestry, arras, esp. a covering, a curtain, hangings: aulaea genus vestis peregrinum, Varr. de Vita populi Rom. lib. III.; Non. p. 537 sq.: aulaea dicta sunt ab aulā Attali, in quā primum inventa sunt vela ingentia, Serv. ad Verg. G. 3, 25.

• I A curtain, canopy: suspensa aulaea, Hor. S. 2, 8, 54; and so Prop. 3, 30, 12.—In partic., the curtain of a theatre; which, among the ancients, contrary to modern usage, was lowered from the ceiling to the floor at the beginning of a piece or act, and at the conclusion was drawn up; cf. Smith, Dict. Antiq.; hence the expression, aulaeum tollitur, is drawn up, at the end of a piece (act), Cic. Cael. 27, 65; Ov. M. 3, 111; on the contr. mittitur, is dropped, at the beginning, Phaedr. 5, 7, 23. Usually such curtains were wrought with the figures of gods or men, esp. of heroes, and in drawing up the curtain, the upper part of the figures would first become visible, then the lower parts in succession, appearing, as it were, themselves to draw up the curtain; hence, utque Purpurea intexti tollant aulaea Britanni, and how the Britons woven upon it lift the purple curtain, Verg. G. 3, 25 Voss; cf. also Ov. M. l. l. Bach.—
• II A covering for beds and sofas, tapestry: aulaeis jam se regina superbis Aurea composuit spondā, Verg. A. 1, 697: Cenae sine aulaeis et ostro, Hor. C. 3, 29, 15; Curt. 8, 5, 21; 8, 9, 15.—
• III The drapery of a heavy upper garment, pictae Sarrana ferentem Ex umeris aulaea togae, the folds of his embroidered toga, Juv. 10, 39.

aulaeum, ī, n. (αὐλαία, ἡ), die prachtvolle, meist gestickte od. bunt durchwebte Decke, Purpurdecke als Vorhang, Überhang, Teppich, gew. im Plur., a) übh.: aulaea Attalica, Varr. fr., Val. Max. u.a.: aulaea superba, Verg.: aulaea purpurā auroque fulgentia, Curt.: aulaea lectis obducere, Curt.: exsertare aurem subinde per aulaeum, Amm.: im Bilde, omnia aulaea reducere, Augustin. c. sec. resp. Iulian. 1, 48 in. – b) als eine Art »Baldachin«, da bei den Alten in den Sälen, die keine kostbaren Decken (lacunaria) hatten, der Reinlichkeit (damit kein Staub herabfalle) und der Pracht wegen Purpurdecken an der Decke aufgespannt wurden, Hor. carm. 3, 29, 15; sat. 2, 8, 54; vgl. Prop. 3, 32, 12. – c) als Theatervorhang, der bei den Alten, wie die Fenster an unsern Wagen, unten befestigt war, dah. beim Anfange des Stückes od. Aktes herabgelassen wurde, aulaeum premitur, Hor. ep. 2, 1, 189, od. mittitur, Phaedr. 5, 7, 23; hingegen beim Ende des Stückes hinaufgezogen, aulaeum tollitur, Cic. Cael. 65. Ov. met. 3, 111. Später jedoch, wie bei uns, aulaeum deponitur, der Vorhang fällt [beim Schlusse des Stückes], Amm. 16, 6, 3; 28, 6, 29. Vgl. auch aulaeum tragicum dimovere, Apul. met. 1, 8, u. aulaeum subducere, Apul. met. 10, 29: aulaea (die aufgezogenen V.) miranda monstrantia, Amm. 16, 12, 57. Gew. waren solchen Vorhängen Götter- od. Menschen-, bes. Heldenfiguren eingewebt, die gleichsam den Vorhang heraufzuziehen schienen; dah. utque purpurea intexti tollant aulaea Britanni, und des Vorhangs Purpur rauscht aufgezogen von eingewebten Britanniern, Verg. georg. 3, 25. – d) sarkastisch v. einem übertrieben weiten Obergewande, pictae Sarrana aulaea togae, Iuven. 10, 39. – ➳ Nbf. aulaea, ae, f., Pacian. epist. 3, 27.

aulaeum, ~a [CL < αὐλαία] 1 halling, hanging, curtain. b (eccl.). ~eum, curtina, ab aula GlC A 912; ~ea, streagl Ib. 932; hic auro Parias onerant aulea columnas Hanv. IV 299; c1450 accepi‥dominacionem vestram‥pro cubiculo nostro ornando alleis vel, ut †utriciori [? l. triciori] vocabulo utar, sago viridi me donasse Let. Ch. Ch. 14; ~um, A. a doser WW.  b major relliquias quas tunc aulea tegebat Alcuin SS Ebor 366; ornatus ecclesie consistit in cortinis, ~eis, pallis, sericis Beleth RDO 85. 89; ecclesiam‥decenter ornatam, ~eis historicis et pretiosis Grecorum palliis‥vestitam Gir. PI III 30 p. 323. 2 hall (cf. aula 1a). 10‥ aulaea, heal WW.

aulæum, (12) ī, n. (αὐλαία), ¶ 1 rideau, [et en part.] rideau de théâtre : tollitur Cic. Cæl. 65, on lève le rideau [à la fin de la pièce ; le contraire chez nous] ; premitur Hor. Ep. 2, 1, 189, on baisse le rideau [pendant le spectacle] ; mittitur Phædr. 5, 7, 23, le rideau tombe [la représentation commence] || [plus tard lʼusage changea et les choses se passèrent comme chez nous] : post depositum aulæum Amm. 28, 6, 29, après la chute du rideau = le spectacle ayant pris fin, cf. 16, 6, 3 ; Apul. M. 10, 29 ¶ 2 tapis, tenture : Virg. En. 1, 697 ; Hor. O. 3, 29, 15 || plais^t en parl. dʼune toge trop ample : Juv. 10, 39.

aulaeum , i. n.
鋪氈。戲台帳幔。

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aulaeum ī, n

• , αὐλαία, embroidered stuff, tapestry.—A curtain, canopy: suspensa aulaea, H.: superba, V.—The curtain of a theatre (lowered to show the stage, and drawn up to hide it): aulaeum tollitur: premitur, H.: mittitur, is dropped, Ph.—The figures seemed, as it rose, to lift it: ut Purpurea intexti tollant aulaea Britanni, V.—A covering for beds and sofas, tapestry: aulaeis se superbis conposuit, V.: Cenae sine aulaeis et ostro, H.: pictae aulaea togae, the vast folds, Iu.

AULAEUM

AULAEUMusually in the plural AULAEA (ἡ αὐλαία), a curtain, carpet, or hanging, mostly of the heavier and richer sort (τὸ μέγα καὶ ποικίλον παραπέτασμα, Cosmas Indicopl. Topog. Chr. p. 197). The name was especially applied to the tapestry worked with human and animal figures, which was early introduced from the East (Theophr. Char. 21, αὐλαίαν ἔχουσαν Πέρσας ἐνυφασμένους: Verg. G. 3.25; Ovid. Met. 3.111 ff.). The word αὐλαία is good Greek, as is shown by Theophr. l. c.; Hyperid. fr. 165 ed. Turic. = 142 Blass, οἱ ἐννέα ἄρχοντες εἱστιῶντο ἐν τῇ στοᾷ, περιφραχάμενοι τι μέρος αὐτῆς αὐλαίᾳ: Menand. fr. 720 Meineke, στυππεῖον, ἐλέφαντ, οἶνον, αὐλαίαν, μύρον: and the notion of Servius, that aulaeum was ab aula Attali regis, betrays the ignorance of a late grammarian (ad Georg. l. c.). He was perhaps misled by the line of Propertius, Porticus aulaeis nobilis Attalicis (2.32, 12 = 3.24, 12); where, of course, the meaning is simply rich enough for Attalus (cf. Hor. Od. 1.1, 12).

Such hangings were extensively used (a) in temples, to veil the statue of the divinity (Paus. 5.12.4); (b) in houses, either as coverings over doors, or as substitutes for doors, as window curtains, or again to decorate the walls of rooms, especially the triclinium or dining-room (Hor. Sat. 2.8, 54); (c) on the outside of houses, to close in the verandahs, balconies, or open galleries [DOMUS]; (d) to stretch over colonnades, and thus form a tent (Hyperid. l. c.; Propert. l. c.). See further references under VELUM; and for the use of the curtain in theatres, SIPARIUMand THEATRUMOne or two disputed points may here he noticed.

As is well known, the curtain in the Roman theatre was not drawn up as in our own, but disappeared underneath the stage: the slit which contained the roller for this purpose, between the stage (proscenium) and the scena, is plainly seen in the smaller of the two theatres at Pompeii. Hence aulaea premuntur, the curtain is let down, when the acting begins (Hor. Ep. 2.1, 189); aulaeum tollitur, the play is ended (Cic. pro Cael. 27, § 65, and Ov. Met. l. c.). It has commonly been assumed, as by Donaldson (Theatre of the Greeks, ed. 7, p. 240), that the Greek custom was the same; but, according to Godfrey Hermann (Leipz. Lit. Zeit. 1818, p. 1906) and Böttiger (Kl. Schr. 1.402), it is doubtful whether the curtain was used in Greek theatres at all. The classical passages, cited in full above, in no way connect αὐλαία with the theatre; the grammarians who do so (Pollux, 4.122; Bekk. Anecd. 83, 7; 463, 14; αὐλαία τὸ τῆς σκηνῆς παραπέτασμα: Hesych., Suid.) of course prove nothing as to the earlier period. The remains of genuine Greek theatres are in general too scanty to throw any light on this question; the best preserved, that of Aspendus, has certainly been odernised in the time of the Roman Caesars. Becker, who shares these doubts, observes further that the Roman usage may perhaps not be as old as the time of Plautus, judging from the concluding lines of his Casina and Cistellaria, spoken by the entire company (grex, caterva). (W. A. Becker, ap. Pauly, i.2 s. v. Aulaeum; cf. Wieseler, Theater-gebäude u. s. w., Göttingen, 1851.)

Another common but probably erroneous opinion is that the word aulaea is applied in Latin poetry to the coverlets and draperies of couches in the triclinium or elsewhere (περιστρώματα, stragulum, stragula vestis, toralia). Of the passages relied on to prove this point, cenae sine aulaeis et ostro (Hor. Od. 3.29, 15) is explained by Orellius with reference to Sat. 2.8, 54, where there is no question as to the meaning of aulaea (for the distinction between aulaea and ostrum, cf. Böttiger, Kl. Schrift. 1.424, ap. Orell.); and in Verg. A. 1.697Conington has rightly reverted to the explanation of Servius and the older commentators, rejecting that of Heyne and most moderns as without authority. (See two illustrations of wall-hangings under CENA)

[W.W]

Aulaeum

usually in the plural, Aulaea (ἡ αὐλαία). A curtain, carpet, or hanging, mostly of the heavier and richer sort. Its uses were: (1) in temples to veil the statue of the god;

(2) in houses, like the modern portière curtains;

(3) to stretch over colonnades, and thus to form a tent;

(4) as a drop-curtain in the Roman theatres. This curtain disappeared under the stage instead of being rolled up. Hence aulaea premuntur, “the curtain is let down,” when the play begins; and aulaeum tollitur, “the play is ended.” See Wieseler, Theatergebäude (1851), and the articles Siparium; Tapes; Theatrum; Velum.