calamistrum
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calamistro Noun: neuter dative singular, Noun: neuter ablative singular of calamistrum
calamistro Noun: masculine ablative singular, Noun: masculine dative singular of calamister
antiae frontis et temporum cincinni ~o crispantur
~um,feaxnædel
~um,walcspinl
“unde festiva? ” “monilibus, ‥ bisso, stibio, ~o”
telam ‥ oppositis lanceole jactibus et alterius ~e ictibus texere
~um,a horskame
hoc calamustrum,a quiver
- 1. krultang om haren te krullen; ➤ -a in cinere calefacere;
- 2. (metaf.) gekunsteldheid (v. spreken).
Nullus comam nutriat, nec habeat Calamistrum, nec cucufam ; sed tonsuram rotundam deferat et coronam satis largam.Glossar. Provinc. Lat. ex Cod. reg. 7657 :
Calamister.
CALAMISTRUM(pl. calamistri : calamistra, Varro ap. Charis. p. 61), a curling-iron, so called from its resemblance to a reed. Its use among the Greeks may be inferred from the representations of elaborately dressed hair in works of art. Among the Romans, it was in vogue as early as the days of Plautus (Asin. 3.3, 37; Curc. 4.4, 21), and became as common among them as it has been in modern times (Serv. on Aen. 12.100). It was much employed by ladies and boys, and sometimes even by men, although for them the practice was considered effeminate (Cic. pro Sest. 8, 18; post red. in sen. 5, 12; in Pis. 11, 25). Hence the figurative use of the word to express an excess of literary ornament (Cic. Or. 23, 78; Brut. 75.262; Tac. Dial. 26). The calamistrum appears to resemble the modern curling-irons, and to have belonged therefore to the department of the ornatrix. Muratori (991, 2) gives the epitaph of a liberta a calamistro, while ciniflo (Hor. Sat. 1.2, 98; Tert. ad Uxor. 2.8) or cinerarius (Varr. L. L. 5.129 ; Cat. 61, 138; Sen. Dial. 2.14, 1; Acron ad Hor. l. c.; Tert. l. c.) was the title of the slave who heated the irons.
[J.Y] [J.H.F]and Calamister. A curling-iron, so called from its resemblance to a reed (calamus), and used among the Romans as early as the time of Plautus (Curc. iv. 4, 21). It was sometimes employed by men, though such were considered effeminate. Figuratively, the word denotes an excess of literary ornament ( Iul. 56).