arcus
arcus, a bow
Apollo does not always stretch his bow
- I A bow (syn. cornu).
- A For shooting: intendit crinitus Apollo Arcum auratum, Enn. ap. Cic. Ac. 2 (Luc.), 28, 89 (Trag. v. 54 Müll.): arcus intentus in aliquem, Cic. Sest. 7: haec cernens arcum intendebat Apollo Desuper, Verg. A. 8, 704; 9, 665; so Vulg. Psa. 10, 3; 36, 14: arcum tendere, ib. 3 Reg. 22, 34; ib. 4 Reg. 9, 24: adductus, Verg. A. 5, 507: remissus, Hor. C. 3, 27, 67: arcum dirigere in aliquem, Pers. 3, 60: quom arcum et pharetram mi et sagittas sumpsero, Plaut. Trin. 3, 2, 98 (724); so, arcum suscitare, Vulg. Hab. 3, 9 et saep. —
- B The rainbow (fully: pluvius arcus, v. infra, II.), Enn. ap. Prisc. p. 712 P. (Ann. v. 393 Vahl.): Tum color in nigris existit nubibus arqui, * Lucr. 6, 526 Lachm.: arcus ipse ex nubibus efficitur quodam modo coloratis, Cic. N. D. 3, 20, 51: ceu nubibus arcus Mille jacit varios adverso sole colores, Verg. A. 5, 88 Rib.; so Ov. M. 6, 63; 11, 632; 14, 838: pluvius describitur arcus, Hor. A. P. 18; Liv. 30, 2; 41, 21; Plin. 18, 35, 80, § 353; Sen. Q. N. 1, 5 and 6: arcum meum ponam in nubibus, Vulg. Gen. 9, 13 sqq. (in Vulg. Apoc. 4, 3; 10, 1, iris, q. v.) al.—
- C A bow or arch in building, a vault, arch, triumphal arch, etc.: efficiens humilem lapidum compagibus arcum, Ov. M. 3, 30; 3, 160; Juv. 3, 11; Suet. Ner. 25: marmoreus arcus, id. Claud. 1; so id. ib. 11; id. Dom. 13; cf. Plin. Pan. 59, 2 Schwarz.—
- II Transf.
- A Poet. or in post-Aug. prose, any thing arched or curved like a bow; of the breaking of waves: niger arcus aquarum, Ov. M. 11, 568.—Of the windings of a serpent: immensos saltu sinuatur in arcus, Ov. M. 3, 42.—Of a curve in flight: dea se paribus per caelum sustulit alis Ingentemque fugā secuit sub nubibus arcum, Verg. A. 5, 658.—Of the curving or bendings of a bay: sinus curvos falcatus in arcus, Ov. M. 11, 229 (cf.: inque sinus scindit sese unda reductos, Verg. A. 1, 161).— Of a harbor: Portus ab Euroo fluctu curvatus in arcum, Verg. A. 3, 533.—Of boughs of trees, Verg. G. 2, 26 et saep.—Of the back of a chair, Tac. A. 15, 57.—
- B The mathematical arc, Sen. Q. N. 1, 10; Col. 5, 2, 9.—Hence, of the five parallel circles of the globe which bound the zones (or perhaps rather, the zones themselves): via quinque per arcus, Ov. M. 2, 129.
sagittarum spicula de ‥ feretrae latibulis depromens, ‥ pando strepente ~u et nervo stridente ad destinatum ‥ dirigit locum
~us,boga
inventus fuit in chimino magno in foresta cum ~u sine corda
per serjantiam unius arci, v sagittarum et j buzenn’
per servicium j ~us de auburno
ad ‥ aditum [del Odd ] de Ald Ravenserre via patebat arenosa ‥ latitudinem quantum ~us jacere potest vix habens
in cordellis emptis ad archos
pro ‥ quarellis pennandis et ~is emendandis(
hircina ‥ herba aspera est, qua solent polliri pectines et archus
distat ab insula Man per tres sagittaciones ~us
non autem ~u utuntur corneo, non alburneo, non taxeo solum ex ulmellis silvestribus ~us formant
unde et ~us taxei dicuntur
tot ~us Turkenses
ij ~us Turkes’ cum ij cordis de corio
tenens unum ~um qui vocatur Turkeys de taxu de Ispania facto [sic ] de j corda tento in manum suam sinistram de longitudine j ulne regis et dim. et de grossitudine in girum v pollicum hominis
Turci quorum ~us sunt de cornu curvi
xxix ~us manuales de omello
pro factura d quarellorum ad ~um de pilo
cccc ~us depictos et cc ~us albos(
pro vj ~ubus latis
lx ~us pro bosco, ‥ iiij duodenas sagittarum pro bosco(
nullus infra civitatem ‥ portet ~um de petra [OF: ], viz.arc a perre stonebowe
recepisse ‥ ij ~us ad balistam de cornu ad j pedem et j alium ~um ad j pedem crudum
c ~us balistos ad pedem et xx ~us balistos ad troll’(
j ~um vocatumarblast
cum ‥ ~ubus planis et cruciferis
sagittacionem in quodam ~u cruciato
mentiuntur Romanam ecclesiam nobis conversam esse in ~um pravum(
tantam unitatis constantiam converterent in ~um pravum
Constantinopolitanus imperator versus in ~um pravum non est adhuc ad cor reversus
in ~um ‥ pravum conversus, duo ‥ agere attemptavit
yris vel ~us,renboga
arcus celestis imitatur gemma colores
quod Aristotiles dicit ~um varium apud ortum et occasum solis parve esse mensure
usus armorum erat post diluvium, cum tunc primo apparuit ~us celestis, id est iris, diversi coloris
homines de Bedeford’ tulerunt ad scaccarium duo paria ~uum ad sellam de redditu Lamberti Sellarii
colliget unam summam virgarum ‥ ; et habebit †arcem que est ultra cellam unde summa ligatur, pariter et alterum baculum qui est ex altera parte equi portantis summam in occulo dicte ~is
de ~ubus sellarum [OF: ] equestriumarzons de seles
boia, ~us velgeoc
debet ire in wodelonde ‥ propter juga boum et ~us
inveniet funes et ~us ad carucas domini
in meremio ad ij carucas scapellando cum ~ubus et hart’ ad easdem
in ‥ xiij jugis, xviij ~ubus et meremio ad duas novas carucas
in ~ubus boum(
in oxseboghes
de ~ubus ad juga boum
in ij ~ubus bovinis emptis, j d.
xxx ~us boum
in iiij ~ubus emptis pro iiij warepaill’, ij d.
~us,forbigels
camera, ~us, fornax,bigels, boga, incleofa
ambitus ipsius edis dupplici lapidum ~u ex utroque latere hinc et inde fortiter solidata operis compage clauditur
infra ~us supra introitum cancelli positos
de duabus domibus sub archa
archiam in aula nostra ibidem reparari facias
quod archeam subtus privatam cameram regis ‥ barris ferreis barrari faciat
levabunt novum gablum ‥ cum una archa vel duabus ‥ in eodem loco
prostrabit totum murum inter ecclesiam ‥ et cancellum usque ad ~um lapideum
super reparacione ‥ turrium, archiarum, murorum et contramurorum infra castellum
hec archus,a vowt
in aliis duobus panellis ‥ sunt due arche
Roberto de Ponte Archarum
hoc anno fuit fundatio arche pontis Londonie
pons ille jam peractus est preter unam ~am
fieri faciat archias in introitu et exitu bovarum castri Dovr’
pro emendacione j arche pontis borealis
in reparacione archie stagni
preter communem semitam ‥ inter ~as domibus contiguas adjacentes et terras dicte fosse adjacent
pro reparacione ‥ arche lacus de Linlithgow
postea ‥ in secretario ‥ ecclesie, Acca quidem ad dextrum cornu altaris et Alchmundus ad sinistrum, decentius in duobus ~ubus positi sunt
lego ‥ corpus meum ad sepeliendum in archa nove capelle ecclesie
lego ‥ corpus meum sacre sepulture ‥ in primo archu dicti claustri
~us triumphales tunc proficiunt illustribus viris ‥ cum ‥ quorum sint impressa docet inscriptio
apparuit ‥ quasi castrum ‥ circa eam [crucem de Cheepe ] ‥ habens ex utraque parte ~us testudinatos ‥ sub quibus ‥ populus velut per duas januas equitabat
licet vicinus habeat in ‥ muro ‥ ~us sive almeria, ‥ nihil amplius potest in predicto muro exigere(
si ~us habere voluerint, facient ex utraque parte
tectum ecclesie S. Marie que ‘ad ~us’ dicitur
scolas S. Marie de Archa
campanile lapideum B. Marie de ~ubus in foro Londoniarum cecidit
custodibus operis ecclesie B. Marie de ~ubus
decanus de ~ubus
quod ‥ procuretis dictam causam alicui discreto committi extra ~us(
auditoribus causarum curie vestre et consistorii vestri de ~ubus Londoniensis
cuidam apparatori de ~ubus
bedellus de ~ubus capit per annum ‥ vj s. viij d.
transferri facit ‥ solucionem questionis ad doctiores jurisperitos totius curie de ~ubus
officialis almae curiae Cantuariensis de ~ubus est judex competens ad cognoscendum de causis ecclesiasticis quibuscunque ‥ necnon in causis appellationum ‥ a quibuscunque episcopis ‥
geminos intersecet arcus [] / lactea forma vie eyebrows
nunc brachia curvat in arcum / infurcata manus lateri
nec minor et medie qui nocti ascribitur arcus / dimidiumque diem metiri dicitur arcu
isti circuli [quos describit sol ] dierum naturalium appellantur: ~us autem qui sunt supra orizontem sunt ~us dierum artificialium; ~us vero qui sunt sub orizonte sunt ~us noctium
communiter sumpta altitudo rei super horizontem dicitur ~us circuli altitudinis interceptus inter rem elevatam et inter horizontem
lineaGI est corda recta ~us anguliAEF
➳ gén. arch. arqui Lucr. 5, 526 ; Cic. Nat. 3, 51 ; nom. pl. arci Varr. d. Non. 77, 12 || fém. Enn. Ann. 409.
- 1. boog (als wapen); ➤ arcum intendere; (meton.) arcūs Haemonii = Boogschutter (als sterrenbeeld);
- 2. regenboog [caelestis; pluvius; imbrifer];
- 3. (poët.; postklass.) kromming, bocht; ➤ anguis sinuatur in arcus; ~ aquarum vloedgolf;
- 4. (a) (poët.) welving (v. bouwwerken, v. bogen v. bruggen); (b) (postklass.) triomfboog;
- 5. (poët.; postklass.) (math. t.t.) boog v.e. cirkel.
Facti sunt omnes Arcus sive voltæ pontis de Galeria, quæ fuerunt numero octo.
Arcus Presbyterii, apud Anastasium pag. 157. Paulus Warnefridus in Episcopis Metensibus :
Fabricare jussit... altare ipsius atque cancellos, Presbyterium Arcusque per gyrum.
Obtulit aureum Arcum supra Confessionem S. Crucis pensantem libr. quatuor.In Leone III. pag. 141 :
Fecit vero ubi supra Arcum majorem ex argento mundissimo deaurato supra in ingressu vestibuli pensant. lib. 131.In Paschali :
Ubi desuper (altare) Arcum musivo exornatum decenter instruxit.In Leone IV :
Obtulit in Basilica B. Petri... Arcus de argento mundissimo numero 13.
Et ibidem num. 15.Alma domus triplici patet ingredientibus Arcu.
Ter geminis geminæ patuerunt Arcubus aulæ.
Toralis? f. mendum est pro
choralis. Concilium ann. 1582. inter Hisp. tom. 4. pag. 239 :
Sacerdotes inter Missarum solemnia, dum ad oblationes populi recipiendas ab altare procedunt,... ne ultra Arcum Toralem egrediantur, sed illic feminas quæ voluerunt offerre, decenter exspectent.
Toral, Lo principal o que tiene mas fuerza y vigor en cualquier especie ; como arco toral, fundamento toral. Torus, toralis.
Missa autem celebrata, revertitur ad Palatium coronatus cum processione et Honore Arcuum, repræsentatione legis a Judæis, etc.Infra :
Universæ etiam scholæ Palatii, Clerici Romani pro thuribulo, Judæi pro repræsentatione legis, structura Arcus tale Presbyterium accipiunt, etc.
Habet sagittam et Arcum de Aubour cum corda.Le Roman
de GarinMS. :
Infra :Arc d'Aubour porte, et sajetes d'acier.
Il prend son Arc d'Aubor, si le tendié, Met en la corde un grand carrel d'acier, Le Comte avise de prés, et si le fiert, De sa sajete li met el cors plein pié.
Comme nostre amé et feal cousin le conte de la Marche, qui pour son esbatement en traiant de un Arc à galées, etc.
Arcubalista, Arbaleste, apud Albertum Aquens. lib. 1. cap. 35. lib. 3. cap. 41. lib. 6. cap. 9. 16. Vide Arcio.
De Tunninis et Sardellis servabitur forma, de jure lini idem, de jure cannarum idem, de lana Syriæ idem, de bambace idem, et de Arcu Cuctonis idem.Voce
Cuctonisintelligo gossypium, Gall.
- ARC-, a bow: intentus in me: adductus, V.: arcum tendere, H.: tela Direxit arcu, H.: pluvius, the rainbow, H.: arcus sereno caelo intentus, L.: nubibus arcus iacit colores, V.—Poet.: niger aquarum, O.: inmensos saltu sinuatur in arcūs, O.: sinus curvos falcatus in arcūs, bays, O.: Efficiens humilem lapidum compagibus arcum, an arch, O.: via quinque per arcūs, circles of the earth, O.: ad arcum sellae, Ta.
-
…studiis ipsaque colebat virginitate deam. Ritu quoque cincta Dianae falleret et posset credi Latonia, si non corneus huic arcus, si non foret aureus illi. Sic quoque fallebat. Redeuntem colle Lycaeo Pan videt hanc pinuque caput praecinctus…
Ovid, Metamorphoses
-
…prima favilla mali. tum magis Armenias cupies accedere tigris et magis infernae vincula nosse rotae, quam pueri totiens arcum sentire medullis et nihil iratae posse negare tuae. nullus Amor cuiquam facilis ita praebuit alas, ut non alterna…
Propertius, Elegies
-
…amores inritare tua, nec laudes adsere nostras. Filius huic Veneris figat tuus omnia, Phoebe, te meus arcus ait quantoque animalia cedunt cuncta deo tanto minor est tua gloria nostra. Dixit et eliso percussis aere pennis inpiger…
Ovid, Metamorphoses
-
…assidue post haec neglectus amator, et prosint illi cognita nostra mala. te quoque si certo puer hic concusserit arcu, quo nollem nostros me violasse deos, longe castra tibi, longe miser agmina septem flebis in aeterno surda…
Propertius, Elegies
-
…angui incedunt, circumstant cum ardentibus taedis, num dubitas quin sibi haec videre videatur itemque cetera intendit crinitus Apollo arcum auratum, luna innixus, Diana facem iacit a laeva qui magis haec crederet si essent quam credebat quia videbantur…
M. Tullius Cicero, Lucullus
-
…; verum tamen inerat in illa magnitudine aetas atque habitus virginalis ; sagittae pendebant ab umero, sinistra manu retinebat arcum, dextra ardentem facem praeferebat. hanc cum iste sacrorum omnium et religionum hostis praedoque vidisset, quasi illa ipsa…
Cicero, in Verrem
-
…, brumali flectens contorquet tempore currum. Hic autem aspicitur sese ostendens emergit Scorpios alte posteriore trahens flexum vi corporis Arcum. quem propter nitens pinnis convolvitur Ales. at propter se Aquila ardenti cum corpore portat. Deinde Delphinus .…
M. Tullius Cicero, de Natura Deorum
-
…, quinque filias, tantam domum, tantas clientelas Appius regebat et caecus et senex ; intentum enim animum tamquam arcum habebat nec languescens succumbebat senectuti. tenebat non modo auctoritatem, sed etiam imperium in suos metuebant servi, verebantur…
M. Tullius Cicero, De Senectute
-
…Quanto melius haec vulgus imperitorum, qui non membra solum hominis deo tribuant sed usum etiam membrorum ; dant enim arcum sagittas hastam clipeum fuscinam fulmen, et si actiones quae sint deorum non vident, nihil agentem tamen deum non…
M. Tullius Cicero, de Natura Deorum
-
…quia causam habeat admirabilem, Thaumante dicitur esse nata. cuius si divina natura est, quid facies nubibus ; arcus enim ipse e nubibus efficitur quodam modo coloratis ; quarum una etiam Centauros peperisse dicitur. quod si nubes rettuleris…
M. Tullius Cicero, de Natura Deorum
ARCUS(βιός, τόξον), the bow used for shooting arrows, is one of the most ancient weapons, but its use in warfare was early abandoned by the Greeks in general, and it became a characteristic of Asia rather than of Europe. Thus, in the description given by Herodotus (Hdt. 7.61-80) of the various nations composing the army of Xerxes, we observe that nearly all the troops used the bow, and in Greek art also the bow generally serves to distinguish barbarian races, although of course it still was retained as in ancient times in representations of certain deities, such as Apollo, Artemis, and Heracles. The Scythians and Parthians were the most celebrated archers in the East, and among the Greeks the Cretans, who frequently served as a separate corps in the Greek armies, and subsequently also among the auxiliary troops of the Romans. (Comp. Xen. Anab. 1.2, § 9; Liv. 42.35.) The use of the bow in the chase continued, nor was archery as an exercise abandoned (Plat. Legg. 1. p. 625; 6.794, 795; 7.813, 814; 8.384, 434), although it failed to gain the same encouragement in the games as other exercises testing the strength and skill of the upper part of the body, such as throwing the quoit and the spear. A contest of archers, however, is described in Hom. Il. 23.850-84. In later times an ἀγὼν τοξικός was held at Ceos and at Sestos.
Pandarus' bow (Hom. Il. 4.105-26) may be taken as an ordinary Greek bow of heroic proportions. It was composed of the horns of a wild goat, sixteen palms in length, joined by a straight, stock (πῆχυς) in the centre, with a golden tip (κορώνη) at the end of one horn, on which, when the bow was strung, was fastened that end of the string (νευρή, ϝεῦρα βόεια, Il. 4.122, nervus) which was not permanently attached. In order to make the bow more flexible, it was sometimes rubbed with oil before a fire (Od. 21.175-80). Such a bow is represented in the upper figure in the accompanying woodcut, from a fictile vase. In Hom. Il.. 4.115-126, the action of shooting is described, and this account is illustrated by the following outline of a statue belonging to the group of the Aeginetan Marbles. The bow placed in the hands of this statue was probably of bronze, but it has been lost. In Od. 21.405-23 we have a similar description, but there Odysseus shoots sitting. In later times flexible wood was sometimes used in place of horn, and in that case the bow, when unbent, had a circular form, whence it is described with the epithets sinuatus (Ov. Met. 8.381) and sinuosus (id. Am. 1.1, 23); it was sometimes straight with curved ends. For a string a strip of leather was sometimes used in place of the sinew of the ox, or even horse-hair (Verg. A. 10.622; Ov. ex Ponto, 1.2, 21), which no doubt was braided, as in a representation figured in Mon. inod. dell' Inst. Arch. 1851, pi. xxviii.
The lower figure in the cut above, also from a fictile vase, is probably Homer's τόξον παλίντονον (Il. 8.266, 10.459, 15.433; Od. 21.11 and 59; Hdt. 7.69: the last passage shows that παλίντονος cannot be taken as a mere literary epithet, but describes a distinct variety of bow). When strung, it was bent backwards against the curve, which must have given it unusual force.
The Scythian bow was distinct from the ordinary Greek forms of the bow, and was curved into two unequal sinus. The accompanying cut is taken from a golden ornament on a sword sheath found in the Crimea, now in St. Petersburg (see Plate 5 in Commission Archéologique pour l'année 1865). Strabo (2.22) compares the outline of the Black Sea to a Scythian bow, the southern coast resembling the string, and the other coasts recalling the two curves of the bow, one of which projects further than the other. Again, the Scythian bow is compared to a serpent (Lycophr. 917), and to the letter Σ, which in many of its ancient forms consists of two unequal curves.
In the Roman army archers (sagittarii) do not appear to have been employed before the Punic Wars, and afterwards only as auxiliaries, being especially drawn from Crete and the Balearic Islands. [SAGITTA] The Asiatic cataphracti [CATAPHRACTI] were often armed with the bow.
When not used, the bow was put into a case (τοξοθήκη, γωρυτός, corytus), which was made of leather, and sometimes ornamented (φαεινός, Hom. Od. 21.54). The bow-case is very conspicuous in the sculptured bas-reliefs of Persepolis. It frequently held the arrows as well as the bow, and on this account is often used by the Roman poets as equivalent to the pharetra or quiver. (Verg. A. 10.169; Ov. Tr. 5.7, 15; Sil. 7.443.) Though its use was comparatively rare among the Greeks and Romans, we find it exhibited in a bas-relief in the Museo Pio-Clementino (vol. iv. tav. 43), which is copied in the annexed cut.
[J.Y] [J.H.F] ARCUS (also fornix, Verg. A. 6.631; Cic. Ver. 1.7, 19, et alibi; καμάρα), an arch. It is possible to give an arched form to the covering of any opening by placing horizontal courses of stones projecting over one another, from both sides of the opening, till they meet at top, and then cutting the ends of the projecting stones to a regular curve, as shown below. This form is found in the most ancient architecture of nearly all nations, but it does not constitute a true arch. A true arch is formed of a series of wedge-like stones, or of bricks, supporting each other, and all bound firmly together by their mutual pressure.
It would seem that the arch, as thus defined, and as used by the Romans, was not known to the Greeks in the early periods of their history, otherwise a language so copious as theirs, and of such ready application, would not have wanted a name properly Greek by which to distinguish it. But the constructive principle by which an arch is made to hold together, and to afford a solid resistance against the pressure upon its circumference, was known to them even previously to the Trojan war, and its use is exemplified in two of the earliest buildings now remaining--the chamber built at Orchomenus, by Minyas, king of Boeotia, described by Pausanias (Paus. 9.38), and the treasury of Atreus at Mycenae (Paus. 2.16). Both these works are constructed under ground, and each of them consists of a circular chamber formed by regular courses of stones laid horizontally over each other, each course projecting towards the interior, and beyond the one below it, till they meet in an apex over the centre, which was capped by a large stone, and thus resembled the inside of a dome. Each of the horizontal courses of stones formed a perfect circle, or two semicircular arches joined together, as the subjoined plan of one of these courses will render evident.
It will be observed that the innermost end of each stone is bevelled off into the shape of a wedge, the apex of which, if continued, would meet in the centre of the circle, as is done in forming an arch; while the outer ends against the earth are left rough, and their interstices filled up with small irregular-shaped stones, the immense size of the principal stones rendering it unnecessary to continue the sectional cutting throughout their whole length. Schliemann points out that the stones, contrary to the general belief, are not immediately covered with earth, but with enormous masses of stone, which, by their ponderous weight, keep all the stones of the circular layers of masonry in their position. Thus the principle of this construction is, as Colonel Leake justly remarks, that of an archshaped wall resisting a great superincumbent weight, and deriving its strength and coherence, from the weight itself (Schliemann, Mycenae, p. 43; Leake, Morea, 2. p. 377). Thus it seems that the Greeks did understand the constructive principle upon which arches are formed, even in the earliest times; although it did not occur to them to divide the circle by a diameter, and set the half of it upright to bear a superincumbent weight. But they made use of a contrivance, even before the Trojan war, by which they were enabled to gain all the advantages of our archway in making corridors, or hollow galleries, and which in appearance resembled the pointed arch, such as is now termed Gothic. This was effected by cutting away the superincumbent stones in the manner already described, at an angle of 45° with the horizon. The mode of construction and appearance of such arches are represented in the annexed drawing of the walls of Tiryns, copied from Sir William Gell's Argolis. The gate of Signia (Segni) in Latium exhibits a similar example.
The principle of the true arch was known to the Egyptians, but it is remarkable that they did not make use of it in their most massive works (Wilkinson, 2. p. 299, ed. of 1878). The Assyrians also used it in subterranean buildings (Layard, Nineveh, 1. p. 167; 2. p. 260). There are also a few specimens of the true arch in ancient Greece. At Oeniadae, in Acarnania, is a postern of a perfect arch in the polygonal walls of the city (Leake, Northern Greece, 3. p. 560 seq.); and at Xerokampo, in the neighbourhood of Sparta, is a bridge on the true archprinciple (Mure, Tour in Greece, 2. p. 248), though the latter, in the opinion of many archaeologists, is of Roman construction (Dennis, Etruria, 2. p. 250 seq.). But these are rare instances; and the Etruscans are the first people who used the true arch extensively. Two circumstances may have favoured this--the ease with which tufa is split into wedges, and the necessity of constructing extensive tunnels to drain the valleys of the Tiber and the Arno, and the marshes of the coast. Hence the use of the arch passed into the architecture of buildings. The Romans probably borrowed it from the Etruscans. Thus the Cloaca Maxima, long held to be the oldest instance of the arch at Rome, and attributed to the Tarquinii [CLOACA], closely resembles the canal of the Marta (Dennis, Etruria, 1. p. 430 seq.). But whatever date be assigned to the Cloaca Maxima in its arched form, the general use of the arch even in subterranean buildings is far later. Thus the specus of the Aqua Appia (B.C. 313) is gabled, not arched (Burn, Rome and the Campagna, p. xxv.). The key-stone of the arch is mentioned by Seneca. ( Democritus invenisse dicitur fornicem, ut lapidum curvatura paulatim inclinatorum medio saxo alligaretur, Fp. 90. med.) The use of the arch constitutes one leading distinction between Greek and Roman architecture, for by its application the Romans were enabled to execute works of far bolder construction than those of the Greeks,--to erect aqueducts and permanent bridges, spanning broad and rapid rivers, and to make a comparatively fragile material, such as brick, more extensively useful than the finest marbles in the hands of the Greeks.
But in many Roman edifices we find the use of the arched form without the principle of the arch (Middleton, Ancient Rome in 1885, p. 366), as the facing of brick or stone covers a concrete arch cast in one solid mass, and therefore without lateral thrust. [CAEMENTUM] This is especially apparent in the thermae of Caracalla, and in the relieving arches in the walls of the Pantheon and other buildings, which are of no structural importance, but simply shallow indentations in a wall which was really one solid slab of concrete (Middleton, ib. p. 33).
[A.R] [J.H.F] [W.S](βιός, τόξον). The bow used for shooting arrows. Two kinds of bow were known to antiquity. One consisted of the two horns of the antelope, or an arm of wood similarly shaped, joined by a bridge which served both as a hold for the hand and as a rest for the arrow. The string, made of plaited horse-hair or twisted ox-gut, was fastened to each end (fig. 1). The other, called the Scythian or Parthian bow, was made of a piece of flexible wood, the ends of which were tipped with metal, and bent slightly upwards to hold the string (fig. 2). The arrow (Gr. ὀϊστός, or τόξευμα; Lat. sagitta) was made of a stem of reed or light wood, one end furnished with a three-cornered point, sometimes simple and sometimes barbed, the other end with feathers. A notch in the shaft served to place it on the string. The arrows (and sometimes the bow) were kept in a quiver (φαρέτρη, pharetra) made of leather, wood, or metal, fitted with a suspender, and sometimes open, sometimes having a lid. The quiver was worn either on the back, according to the Greek manner, or in Oriental fashion, on the left hip. The Cretans had the reputation of being the best archers among the Greeks. They generally served among the light-armed auxiliaries as a special corps. Mounted bowmen were employed by the ancient Athenians (see Hippeis); but it was not until after the Punic Wars that archers formed a regular part of the Roman army. They were then furnished by the allies, or raised by recruiting, and were mostly taken from Crete and the Balearic Islands. See Arma.
(fornix, καμάρα). An arch suspended over the head of an aperture, or carried from one side of a wall to another, and serving as the roof or ceiling to the space below. An arch is formed of a series of wedge-like stones or of bricks, supporting each other, and all bound firmly together by the pressure of the centre one upon them, which latter is therefore distinguished by the name of keystone.
It would seem, at first sight, that the arch, as thus defined, and as used by the Romans, was not known to the Greeks in the early periods of their history, otherwise a language so copious as theirs, and of such ready application, would not have wanted a name properly Greek by which to distinguish it. The use of both arches and vaults appears, however, to have been known to them even before the Trojan War, and its use is exemplified in two of the earliest buildings now remaining—the chamber built at Orchomenus by Minyas, king of Boeotia (Pausan. ix. 38), and the treasury of Atreus at Mycenae (Pausan. ii. 16). Both of these works are constructed underground, and each of them consists of a circular chamber formed by regular courses of stones laid horizontally over each other, each course projecting towards the interior, and beyond the one below it, till they meet in an apex over the centre, and thus resemble the inside of a dome. Each of the horizontal courses of stones formed a perfect circle, or two semicircular arches joined together, as the subjoined plan will render evident. See Schliemann, Mycenae, p. 43; Leake, Morea, ii. 377; and the articles Architectura; Mycenae.
The principle of the construction is that of an arch-shaped mass resisting a great superincumbent weight, and deriving its strength and coherence from the weight itself. Thus it seems that the Greeks did understand the constructive principle on which the arch is formed. They made use of a contrivance, even before the Trojan War, by which they were enabled to gain all the advantages of our archway in making corridors, or hollow galleries, and which in appearance resembled the pointed arch, such as is now termed Gothic. This was effected by cutting away the superincumbent stones in the manner already described, at an angle of forty-five degrees with the horizon. The mode of construction and appearance of such arches are represented in the annexed drawing of the walls of Tiryns from Sir William Gell's Argolis.
The principle of the true arch was known to the Egyptians, but it is remarkable that they did not make use of it in their most massive works (Wilkinson, ii. 299, ed. of 1878). The Assyrians used it in subterranean buildings (Layard, Nineveh, i. 167; ii. 260). There are also a few specimens of the true arch in ancient Greece. At Oeniadae, in Acarnania, is a postern of a perfect arch in the polygonal walls of the city (Leake, Northern Greece, iii. 560 seq.); and at Xerokampo, in the neighbourhood of Sparta, is a bridge on the true arch-principle (Mure, Tour in Greece, ii. 248), though the latter, in the opinion of many archaeologists, is of Roman construction (Dennis, Etruria, ii. 250 seq.). But these are rare instances; and the Etruscans are the first people who employed the true arch extensively. Hence the use of the arch passed into the architecture of buildings. The Romans probably borrowed it from the Etruscans. Thus the Cloaca Maxima, long held to be the oldest instance of the arch at Rome, and attributed to the Tarquinii (see Cloaca), closely resembles the canal of the Marta (Dennis, Etruria, i. 430 seq.) See pp. 373 and 628.